Santa Maria d'Orsoleo, intended for the Observant Franciscan Friars, was built in 1474 by Eligio II della Marra, the Prince of Stigliano and Count of Aliano, expanding upon a previous 12th-century chapel.
The ancient wooden statue of the Madonna of Orsoleo, possibly from the 13th century, is still venerated today and celebrated every year on September 8th. The church that houses it, attached to the complex and lavishly adorned, features a notable wooden choir behind the main altar. Among the sculpted figures, there is also a Madonna with Child seated amidst branches of a tree, with a bear and a lion at her feet.
Various additions made over the years improved the structure, making it increasingly rich. The complex, which never lacked resources, thanks in part to generous donations, was once equipped with a library, a pharmacy, a mill, an oven, an ice house, an olive press, and two cisterns. The rooms were also enriched by a cycle of frescoes by the Lucanian painter Giovanni Todisco di Abriola, depicting episodes from the lives of saints and Christ, such as the Adoration of the Magi, which bears the painter's signature, as well as scenes of the Triumph of Death and Faith.
The nearby Torre Molfese, located along the road leading to the monastery, is believed to have originally served as a watchtower to protect travelers on their way to the convent.
The suppression of the monastic orders in 1861 led to the definitive decline and gradual abandonment of the entire complex.
Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.