Acerenza Cathedral is a Roman Catholic cathedral dedicated to the Assumption of the Blessed Virgin Mary and to Saint Canius in the town of Acerenza. The cathedral is one of the most notable Romanesque structures in this part of Italy.
The diocese was established by the late 5th century, but the structure of the present Romanesque cathedral building dates from 1080, when construction was begun under archbishop Arnald of Cluny. The site however is far more ancient and traces remain in the present building both of a pagan temple to Hercules Acheruntinus and of the earlier Christian church.
It has a Latin cross ground plan, and three aisles, which terminate in a raised presbytery behind which is an apse with an ambulatory and three radiating chapels, an unusual feature in Italian church design; the transept also terminates at either end in a semi-circular chapel. The ambulatory contains the altar which houses the relics of Saint Canius.
The crypt dates from 1524 and contains what is believed to be the sarcophagus of Saint Canius.
The campanile was added in 1555, and reuses many interesting fragments of ancient stonework, including two Roman sarcophagi and a sacrificial altar decorated with bulls' heads.
The interior of the cathedral features many unusual zoomorphic and floral carvings, in the Cluniac manner, the possible symbolic significance of which has caused speculation.
Of especial note are a polyptych showing Our Lady of the Rosary and the Fifteen Mysteries, with Saints Dominic and Thomas, made by Antonio Stabile in 1583, and four frescos in the cloister by Giovanni Todisco di Abriola.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.