The Crypt of the Original Sin, in Matera, is located inside a natural cave on the Murgia plateau, near the old Appian Way. Commonly known as “the Sistine Chapel of rupestrian art”, the Crypt was discovered in 1963 by a group of local youths, who noticed the splendid frescoes in what at the time, had become a shelter for sheep herds. Experts later dated the cycle of paintings back to the second half of the 8th century, with Late-Romanesque style and formal elements of Oriental inspiration, such as the Byzantine-style Triarchsand the profile of the Virgin Mary, majestically represented in the sumptuous clothes of the Byzantine empress, the Basilissa.
The anonymous, humble artist – who was soon nicknamed the “Flower Painter” – depicted biblical figures in total freedom: God the Creator, Light and Darkness, Adam and Eve, the three Apostles John, Peter and Andrew, the Archangels and Mary. The paintings on the rough walls of the cave are different and unique in Matera’s iconographic context. The scenes are the fruit of the painter’s personal creativity and certainly speak of his freedom in translating complex depictions, and of a lively spontaneity in drawing images.
Paintings of flowers complete the cycle, while other frescoes are difficult to interpret due to their poor state of preservation. All the depictions are described by an inscription in Latin.
You can visit from Tuesday to Sunday, by appointment only.
References:The Walls of Constantinople are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul) since its founding as the new capital of the Roman Empire by Constantine the Great. With numerous additions and modifications during their history, they were the last great fortification system of antiquity, and one of the most complex and elaborate systems ever built. They were also the largest and strongest fortification in both the ancient and medieval world.
Initially built by Constantine the Great, the walls surrounded the new city on all sides, protecting it against attack from both sea and land. As the city grew, the famous double line of the Theodosian Walls was built in the 5th century. Although the other sections of the walls were less elaborate, they were, when well-manned, almost impregnable for any medieval besieger.