The Crypt of the Original Sin, in Matera, is located inside a natural cave on the Murgia plateau, near the old Appian Way. Commonly known as “the Sistine Chapel of rupestrian art”, the Crypt was discovered in 1963 by a group of local youths, who noticed the splendid frescoes in what at the time, had become a shelter for sheep herds. Experts later dated the cycle of paintings back to the second half of the 8th century, with Late-Romanesque style and formal elements of Oriental inspiration, such as the Byzantine-style Triarchsand the profile of the Virgin Mary, majestically represented in the sumptuous clothes of the Byzantine empress, the Basilissa.
The anonymous, humble artist – who was soon nicknamed the “Flower Painter” – depicted biblical figures in total freedom: God the Creator, Light and Darkness, Adam and Eve, the three Apostles John, Peter and Andrew, the Archangels and Mary. The paintings on the rough walls of the cave are different and unique in Matera’s iconographic context. The scenes are the fruit of the painter’s personal creativity and certainly speak of his freedom in translating complex depictions, and of a lively spontaneity in drawing images.
Paintings of flowers complete the cycle, while other frescoes are difficult to interpret due to their poor state of preservation. All the depictions are described by an inscription in Latin.
You can visit from Tuesday to Sunday, by appointment only.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.