The Crypt of the Original Sin, in Matera, is located inside a natural cave on the Murgia plateau, near the old Appian Way. Commonly known as “the Sistine Chapel of rupestrian art”, the Crypt was discovered in 1963 by a group of local youths, who noticed the splendid frescoes in what at the time, had become a shelter for sheep herds. Experts later dated the cycle of paintings back to the second half of the 8th century, with Late-Romanesque style and formal elements of Oriental inspiration, such as the Byzantine-style Triarchsand the profile of the Virgin Mary, majestically represented in the sumptuous clothes of the Byzantine empress, the Basilissa.
The anonymous, humble artist – who was soon nicknamed the “Flower Painter” – depicted biblical figures in total freedom: God the Creator, Light and Darkness, Adam and Eve, the three Apostles John, Peter and Andrew, the Archangels and Mary. The paintings on the rough walls of the cave are different and unique in Matera’s iconographic context. The scenes are the fruit of the painter’s personal creativity and certainly speak of his freedom in translating complex depictions, and of a lively spontaneity in drawing images.
Paintings of flowers complete the cycle, while other frescoes are difficult to interpret due to their poor state of preservation. All the depictions are described by an inscription in Latin.
You can visit from Tuesday to Sunday, by appointment only.
References:Celje Castle was once the largest fortification on Slovenian territory. The first fortified building on the site (a Romanesque palace) was built in the first half of the 13th century by the Counts of Heunburg from Carinthia on the stony outcrop on the western side of the ridge where the castle stands. It had five sides, or four plus the southern side, which was a natural defence. The first written records of the castle date back to between 1125 and 1137; it was probably built by Count Gunter. In the western section of the castle, there was a building with several floors. Remains of the walls of this palatium have survived. In the eastern section, there was an enclosed courtyard with large water reservoirs. The eastern wall, which protects the castle from its most exposed side, was around three metres thicker than the rest of the curtain wall. The wall was topped with a parapet and protected walkway.