Kintzheim was known in the 6th century under the name of Regis Villa. The Merovingian kings had made it into the center of a vast domain including the valley of the Liepvre River and the forests of Haut-Koenigsbourg.
The construction of the castle began around 1250 on the order of Emperor Frederick II of Hohenstaufen. The keep and the rampart which belongs to it were finished at the end of the 13th century. The residential structures were built during the 14th and the 15th centuries.
In 1633, the castle was partly destroyed by the Swedes during the Thirty Years' War. Between 1650 and 1670, J. G. de Gollen restored the residential buildings and the chapel, but never actually lived in there. Between 1760 and 1780, the last resident of the castle was a hermit monk who took care of the chapel.
In 1802, the future Baron of the Second Empire, Gaetan Mathieu de Fabvier, bought the castle, and below it he built a manor house in the Directory style. Between the two structures he built a park in the English style. He created a romantic landscape garden, or jardin tableau, to highlight the view of the ruined castle, inspired by the paintings of Nicolas Poussin, Claude Lorraine and Hubert Robert.
During the 19th century, the romantic movement brought medieval castles back into style. In 1876, German architects carried out a consolidation of the ruins of Kintzheim.
Since 1968, the Château de Kintzheim has featued La volerie des aigles ('The Eagles' Nest'), which presents species of predatory birds, such as eagles, falcons and vultures, which are in danger of extinction. Spectators can attend daily flights of the birds.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.