The Église Notre-Dame de l'Assomption (Our Lady of the Assumption Church) is a Roman Catholic parish church of the town of Rouffach in southern Alsace. It is one of the largest medieval churches in the Haut-Rhin département.
The church is made of yellow and pink sandstone and was built in the Romanesque and Gothic styles, with Neo-Gothic additions. The oldest part of the building, the transept, dates from the second half of the 11th century; the nave is from the 12th and 13th century and displays both late Romanesque walls and early Gothic side portals; the choir is in late Gothic style. Work on the building both outside and inside continued until 1508; however, the twin-towered façade remained unfinished.
A rood screen that had been built around 1300 was demolished in the 18th century and only two lateral staircases remain. Notre-Dame de l'Assomption suffered severe damage during the French Revolution and now appears relatively unadorned on both the outside and the inside.
The great façade portal was vandalized during the French Revolution, when the statues and other sculptures that adorned it were shattered. On the front gable and the clerestory area, as well as on top of the apse, regions too high to be reached by ladder, some sculptures are still to be seen. Inside, some late gothic capitals still testify to the ornamental style employed by some of the church's designers.
Rouffach's main church owns a pipe organ from the year 1855 (a work by Claude-Ignace Callinet) in which some of the pipes from the previous organ, of 1626, are still to be found. These are the oldest still-functioning organ pipes of Alsace. The rose window of the façade (14th century) is, by the number of lancets composing it as well as by overall design, the most complex in Alsace, before the much larger one of Strasbourg Cathedral, which has only 16 lancets. Apart from the baptismal font, the tabernacle and the tombstone of the knight Werner Falk, all three in an ornate Gothic style, the rest of the interior furnishing is mainly Neo-Gothic.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.