The Musée historique is one of the three museums of Haguenau, France. It was established in 1900 and inaugurated in 1905, when Haguenau was a German town and part of Alsace-Lorraine. In spite of its name, it is as much an art museum as a museum dedicated to History.
The museum was founded by the mayor, Xavier Nessel, who was also a keen amateur archaeologist. The building was initially designed to house the municipal collections, the municipal archive and the municipal library.
Apart from artefacts relating to the history of the town, including its Jewish community, the museum owns a rich collection of archaeological finds from the Neolithic, the Bronze Age, the Iron Age and the Gallo-Roman period. It also displays a number of Romanesque, Gothic, Renaissance and Baroque artworks from religious and secular buildings from the town and its surroundings; in many cases, those buildings themselves (such as Frederick Barbarossa's castle in Haguenau) have long disappeared. The museum also owns a collection of Strasbourg faience by the Hannong Family and a collection of modern art, including Art Nouveau glassware, and paintings.
The ethnographic and folk art collections relating to Alsace were moved to the Musée alsacien nearby in 1972.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.