The Merry Maidens, also known as Dawn's Men, is a late neolithic stone circle located to the south of the village of St Buryan, in Cornwall. A pair of standing stones, The Pipers is associated both geographically and in legend.
The circle, which is thought to be complete, comprises nineteen granite megaliths. The stones are approximately 1.2 metres high, with the tallest standing 1.4 metres. They are spaced three to four metres apart with a larger gap between the stones on the east side. The circle is approximately twenty-four metres in diameter.
The local myth about the creation of the stones suggests that nineteen maidens were turned into stone as punishment for dancing on a Sunday (Dans Maen translates as Stone Dance). The Pipers, two megaliths some distance north-east of the circle, are said to be the petrified remains of the musicians who played for the dancers. A more detailed story explains why the Pipers are so far from the Maidens – apparently the two pipers heard the church clock in St Buryan strike midnight, realised they were breaking the Sabbath, and started to run up the hill away from the maidens who carried on dancing without accompaniment. These petrification legends are often associated with stone circles, as is reflected in the folk names of some of the nearby sites, for example, the Tregeseal Dancing Stones, the Nine Maidens of Boskednan, as well as the more distant Hurlers and Pipers on Bodmin Moor. Another tradition says that The Pipers were erected to commemorate Howel and Æthelstan, leaders who died in a 10th-century battle.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.