St Nonna's Church is the second largest church on Bodmin Moor, Cornwall. The dedication is to Saint Non or Nonna, who was the mother of St David. The church is mentioned in Daphne du Maurier's Jamaica Inn; it is the church in which the evil vicar of Altarnun Francis Davey depicts himself in a painting as a wolf while the members of his congregation have the heads of sheep.
The church is an active Anglican parish church in the deanery of Trigg Major, the archdeaconry of Bodmin, and the diocese of Truro. Its benefice is united with those of Saint Sidwell and Saint Gulval, Laneast, and Saint Clederus, St Clether. The church is recorded in the National Heritage List for England as a designated Grade I listed building.
The oldest fabric dates back to the Norman era. Most of the church dates from the later part of the 15th century, at which time the north and south aisles were added. The church was restored in 1867 by E. Sedding.
It is a building largely of the 15th century in the Perpendicular style, with a tower 33 m high. It is notable for the fine Norman font and the amount of old woodwork, including the screen, bench-ends and communion rails which date to 1684.
The screen is one of the finest 15th century examples in Cornwall; it has three gates and the cornice of vines and tracery and vaulting are finely carved. The 79 bench-end carvings were executed by Robert Daye between 1510 and 1530 (Pevsner attributes them to 1524 or later) and portray a range of subjects including a Cornish piper and fiddler (Daye's name is given on one but the date is illegible).
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.