Prideaux Place is a grade I listed Elizabethan country house in the parish of Padstow, Cornwall. It has been the home of the Prideaux family for over 400 years. The house was built in 1592 by Sir Nicholas Prideaux (1550–1627), a distinguished lawyer, and was enlarged and modified by successive generations, most notably by his great-great-grandson Edmund Prideaux (1693–1745) and by the latter's grandson Rev. Charles Prideaux-Brune (1760–1833). The present building, containing 81 rooms, combines the traditional E-shape of Elizabethan architecture with the 18th-century exuberance of Horace Walpole’s Strawberry Hill Gothic.
The house contains a fine collection of works of art, including royal and family portraits, fine furniture and the Prideaux Porcelain Collection. The recently uncovered ceiling in the Great Chamber is a masterpiece of the art of the Elizabethan plasterer. In 1968 the estate comprised about 3,500 acres, excluding the St Breock estate situated about ten miles away, also in the family's ownership, inherited from the Viell family in the 17th century. The deer park is one of the most ancient in England, containing in 1968 about 100 fallow deer, increased from only about six in 1946 following World War II.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.