The Memorial Tomb of Alexander I of Battenberg in Sofia, the capital of Bulgaria, is the mausoleum and final resting place of Prince Alexander I of Bulgaria (1857–1893), the first Head of State of modern Bulgaria.
Commissioned to the Swiss architect Hermann Mayer, designed in the eclectic style (with prominent elements of Neo-Baroque and Neoclassicism) and opened in 1897, the mausoleum measures 11 metres in height and 80 square metres in area. The interior was painted by the noted Bulgarian artist Haralampi Tachev.
When Alexander died in exile in Graz, Austria in 1893, he was initially buried there. However, in accordance with his wish, his remains were transferred to the Bulgarian capital. He was given a state funeral attended by the new prince, Ferdinand of Bulgaria, Alexander's widow Johanna Loisinger, and a great number of Bulgarians. Following a service in the St Nedelya Church his body was moved to the Church of St George and subsequently to the newly constructed mausoleum in the centre of the city.
The mausoleum was closed between 1947 and 1991, during the period of Communist rule in Bulgaria, but was subsequently reopened for the public. Today it also exhibits some of Alexander's private possessions and papers, donated by his wife in 1937.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.