The Madara Rider or Madara Horseman is a large early medieval rock relief carved on the Madara Plateau east of Shumen. The monument is dated to the very late 7th or more often the very early 8th century, during the reign of the Bulgar Khan Tervel. In 1979, the monument was listed as a UNESCO World Heritage Site.
The relief sculpture depicts a majestic horseman, approximately 23 m above ground level, carved into an almost vertical 100 m-high cliff. The sculpture is almost life-size. The horseman, facing right, is thrusting a spear into a lion lying at his horse's feet, and on the left a dog is running after the horseman. The carving of the horseman's halo and garments, as well as the bird in front of the horseman's face, are barely recognizable due to centuries of erosion and the generally poor condition of the monument.
Three partially preserved texts in Medieval Greek, carved in the rock, can be found around the image of the rider. They bear important information regarding the history of Bulgaria in the period. The oldest inscription is the work of Tervel (701–718 AD), thus it is considered that the relief was created during his rule or immediately after the Bulgars settled the region in 680–681 AD. The other inscriptions refer to the Khans Krum (802–814 AD) and Omurtag (814–831 AD), who are most likely the ones who ordered the carvings.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.