The Monastery of Saint John of Rila is the largest and most famous Eastern Orthodox monastery in Bulgaria. It is situated in the southwestern Rila Mountains, 117 km south of the capital Sofia in the deep valley of the Rilska and is named after its founder, the hermit Ivan of Rila (876 – 946 AD). Rila Monastery is regarded as one of Bulgaria's most important cultural, historical and architectural monuments and is a key tourist attraction for both Bulgaria and Southern Europe for religious tourists.
It is traditionally thought that the monastery was founded by the hermit St. Ivan of Rila, whose name it bears, during the rule of Tsar Peter I (927-968). The hermit actually lived in a cave without any material possessions not far from the monastery's location, while the complex was built by his students, who came to the mountains to receive their education.
Ever since its creation, the Rila Monastery has been supported and respected by the Bulgarian rulers. Large donations were made by almost every tsar of the Second Bulgarian Empire up until the Ottoman Conquest, making the monastery a cultural and spiritual centre of Bulgarian national consciousness that reached its apogee from the 12th to the 14th century.
The Rila Monastery was reerected at its present place by Hrelyu, a feudal lord, during the first half of the 14th century. The oldest buildings in the complex date from this period: the Tower of Hrelja (1334–1335) and a small church just next to it (1343). The bishop's throne and the rich-engraved gates of the monastery also belong to the time. However, the arrival of the Ottomans in the end of the 14th century was followed by numerous raids and a destruction of the monastery in the middle of the 15th century.
Thanks to donations by the Sultana Mara Branković, the Russian Orthodox Church and the Rossikon monastery of Mount Athos, the Rila Monastery was rebuilt in the end of the 15th century by three brothers from the region of Dupnica. With Sultana Mara Branković's influence, Ivan of Rila's relics were moved from Tarnovo into the new complex in 1469.
The complex acted as a depository of Bulgarian language and culture in the ages of foreign rule. During the time of the Bulgarian National Revival (18th-19th century), it was destroyed by fire in 1833 and then reconstructed between 1834 and 1862. The erection of the residential buildings began in 1816, while a belfry was added to the Tower of Hrelyu in 1844. The monastery is known as being one of the hideouts of Bulgarian revolutionaries such as Vassil Levski, Gotse Delchev, Peyo Yavorov, etc. The monastery complex, regarded as one of the foremost masterpieces of Bulgarian National Revival architecture, was declared a national historical monument in 1976 and became a UNESCO World Heritage Site in 1983.
The whole complex occupies an area of 8,800 m2 and is rectangular in form, centred on the inner yard (3,200 m2), where the tower and the main church are situated.
The main church of the monastery was erected in the middle of the 19th century. Its architect is Pavel Ioanov, who worked on it from 1834 to 1837. The church has five domes, three altars and two side chapels, while one of the most precious items inside is the gold-plated iconostasis, famous for its wood-carving, the creation of which took five years to four handicraftsmen: Atanas Teladur, Petar and Georgi Dashini and Dimitar Stanishev. The participation of Petre Filipovich- Garkata is questionable. The frescoes, finished in 1846, are the work of many masters from Bansko, Samokov and Razlog, including the famous brothers Zahari Zograf and Dimitar Zograf. The church is also home to many valuable icons, dating from the 14th to the 19th century. Porticos in the courtyard have Mamluk influence with the striped painting and the domes, which became more popular in the Ottoman Empire after the conquest of Egypt.
The four-storey residential part of the complex consists of 300 chambers, four chapels, an abbot's room, a kitchen (noted for its uncommonly large vessels), a library housing 250 manuscripts and 9,000 old printed matters, and a donor's room. The exterior of the complex, with its high walls of stone and little windows, resembles a fortress more than a monastery.
The museum of the Rila Monastery is particularly famous for housing Rafail's Cross, a wooden cross made from a whole piece of wood (81×43 cm). It was whittled down by a monk named Rafail using fine burins and magnifying lenses to recreate 104 religious scenes and 650 miniature figures. Work on this piece of art lasted not less than 12 years before it was completed in 1802, when the monk lost his sight.
References:The Château du Lude is one of the many great châteaux of the Loire Valley in France. Le Lude is the most northerly château of the Loire Valley and one of the last important historic castles in France, still inhabited by the same family for the last 260 years. The château is testimony to four centuries of French architecture, as a stronghold transformed into an elegant house during the Renaissance and the 18th century. The monument is located in the valley of Le Loir. Its gardens have evolved throughout the centuries.