Cesvaine Palace was built in 1896 for the German baron Emil von Wulf (not to be confused with the von Wolf baronial family). Authors of the project were architects Hans Grisebach and August Dinklage from Berlin. The palace is built in the late Tudor Neo-Renaissance style. It is located next to the old medieval castle ruins, remains from the old bishops castle.
At the end of the 19th century, Germany abandoned the reproduction of old German prototypes and turned to England in search of inspiration, namely to late Tudor-style architecture. The style had preserved certain Gothic elements. Picturesque frames, towers and turrets of different forms and sizes, high decorative chimneys and steep roofs were all characteristic features of the style.
Cesvaine Palace is an impressive construction representing this trend in Latvia. Abandoning forms of the German renaissance, Griesebach created an unusual, noble and welcoming construction. It is a romantic and picturesque building, and its architecture harmonizes with the landscape. The palace is built of stone, skilfully using the colour and texture of the material. The building is renowned not only for its size and frame, but also for the quality of construction. The facades of the palace is made in the medieval style, so the palace leaves the impression of a medieval fortification.
The palace has survived all revolutions and wars of the twentieth century, so interiors were almost in perfect condition. Unfortunately in 2002 the palace suffered heavily in a fire. All of the roof and second floor was destroyed and the first floor was seriously damaged. But, many interior elements survived and will be restored. Although restoration works has started, due to the lack of finances they are proceeding very slowly. The last few decades there was a local secondary school housed in the palace.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.