The Roman Tomb of Silistra, located in northeastern Bulgaria, is an exceptionally well-preserved burial tomb dating back to the mid-4th century AD. It represents a significant architectural monument from the Ancient Roman city of Durostorum. Notable for its extensive and high-quality interior frescoes, the tomb is considered a key monument in late antique art in Bulgaria and the Balkans.
The tomb, likely commissioned by a pagan owner, predates the influence of Christianity in Silistra. Its construction probably took place before Theodosius I's persecution of Roman paganism and the Gothic invasion of Durostorum in 376–378. Discovered in 1942 on the southern outskirts of Silistra, the tomb has been on UNESCO's Tentative List of World Heritage Sites since 1984.
The stone tomb, with a single burial chamber, features multi-colored mural paintings covering its interior. The frescoes depict a procession of servants on the northern, southern, and eastern walls, while the western wall portrays the master and his wife. The tomb's decoration includes a frieze with 11 panels illustrating slaves presenting gifts to the masters, along with hunting scenes, candlesticks, and various plants and animals. Despite the city's turbulent history, the Roman Tomb of Silistra stands as a unique example of art and life in the outer regions of the Roman Empire during the 4th century.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.