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Demir Baba Teke is a 16th-century Alevi mausoleum (türbe) near the village of Sveshtari. It is thought to be the resting place of Demir Baba, a 16th-century Alevi saint. The tomb itself is a heptagonal building constructed out of local sandstone. It has a lower rectangular antechamber and is covered by a hemispherical dome 11 metres (36 ft) in height. Demir Baba's grave lies in the middle of the heptagonal inner premises. Constructed out of bricks and wood, the sarcophagus is 3.74 metres in length and is positioned with the saint's head pointing southwest. The sarcophagus is usually entirely covered by gifts and is only rarely displayed to Alevi pilgrims.
The mausoleum is thought to have been constructed in the 16th century on what was probably an ancient Thracian holy site from the 4th century BC. A cult complex (tekke) gradually emerged around the türbe. This included a holy spring, a mosque that was mentioned by travellers in the 18th and 19th centuries but was then destroyed, and a wooden public kitchen (imaret) which was pulled down in 1976 due to its deteriorating condition. The tekke features that have survived until today are the mausoleum, the holy spring, a residential building and a low stone fence surrounding the complex. A small exhibition in the residential building explains the story of the Alevis and Demir Baba himself.
Demir Baba Teke was proclaimed a monument of culture of local importance in 1970 by the government of the then-People's Republic of Bulgaria. The mausoleum was renovated in 1991–1994: the decaying wooden floor was replaced with a new one and the building's interior decorative elements (including the 19th-century murals) were reconstructed.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.