Château de Javarzay was reconstructed in 1514 by members of the House of Rochechouart. There was originally a medieval castle which had an enceinte flanked by 12 towers, of which only two remain.
The property has had a number of owners; the Rochefoucauld-Roye family bought it from François de Rochechouart of Chandeniers in 1655; Jérôme Phélypeaux, Count of Pontchartrain and minister of Louis XIV; Guillaume-Chrétien de Lamoignon de Malesherbes, lawyer of Louis XVI. Jérôme Phélypeaux, Secretary of State for the Navy, son of the Chancellor of France Louis, bought the estate of Javarzay in 1712 for the sum of 100,000 livres, but there was a family connection: his wife was Eléonore-Christine de La Rochefoucauld, daughter of Frédéric-Charles, Count of Roucy and Roye. In 1785, at least, the owner was Joseph Michel Le Blois, advocate at the military tribunals during the French Revolution. His daughter, Marie-Anne (born in the château in 1787) married Ange Achille de Brunet, Count of Neuilly.
What remains of the château, the most imposing of the period in Deux-Sèvres, is the building which joins the two towers and the chapel. The left wing has been destroyed and the right wing is a later construction. The enceinte was demolished between 1820 and 1824 and the sculptures have disappeared. The orangery dates from 1854.
The Château de Javarzay combines both Renaissance and feudal aspects with its machicolations and its moat as well as conical roofs covered with slate. Its entrance pavilion is flanked by four corbelled turrets.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.