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The Roman amphitheatre of Italica is a ruined Roman amphitheatre situated outside the ancient Roman settlement of Italica, around 300 metres from the city's northern entrance. The amphitheatre's location is in present-day Santiponce, Andalusia, close to the city of Seville.
It was built during the reign of emperor Hadrian (who was born in Italica), approximately between the years AD 117 and 138, and was one of the largest in the entire Roman Empire. Italica was largely abandoned by the Romans in the 3rd century. It was rediscovered during the Renaissance, in the 17th century, and work to unearth the amphitheatre began in the late 19th century. The amphitheatre is now a tourist site offering visitor tours.
The amphitheatre had capacity of 25,000 spectators. It has an elliptical shape, with a major axis of 160 metres and minor axis of 137 metres, it had three levels of stands, of which the first remains intact, the second partially so, and the third mostly in ruin. Under the level of the old wooden floor of the amphitheater there was a service pit for the different gladiatorial shows and fights against wild beasts, called venatio. The building was constructed using siliceous and calcareous pebbles, as a result of a shortage of natural stone in the region.
The amphitheatre's cavea was divided into three sections, the ima, media and summa cavea, separated by annular corridors called praecinctions. The first, the ima cavea, had 6 stands, with 8 access doors, and was reserved for a ruling class. The second, the media cavea, was intended for the humblest population, had 12 tiers and 14 access doors. The summa cavea, covered by an awning, was reserved only to children and women.
The amphitheatre also had several rooms dedicated to the cult of Nemesis and Juno.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.