The ancient theatre of Elis is situated on the north of the agora, on an old fluvial terrace of the River Peneus, appropriately landscaped for the purpose. The theatre was built in the 4th century BC. Major damage, probably due to an earthquake during the Late Hellenistic period, led to the replacement of the west retaining wall with a new one. The theatre was also modified in Roman times.
The theatre boasts the somewhat rare feature of an earthen cavea. Only the access passageways to the upper cavea, the parodoi and a row of stone seats in the lower cavea were faced with stone. Six staircases, approximately one metre wide and paved with river pebbles, divided the cavea into seven cunei. Strong retaining walls supported the fill of the cavea, forming, together with the lateral compartments of the stage, the two parodoi of the theatre.The permanent stone stage building is one of the earliest in Greece. It also preserved one of the oldest proscenia (early 3rd c. BC), its façade once decorated with half-columns.
Large holes along the stylobate were used to set up the scenery. Behind the proscenium were the various spacious compartments of the stage, with the parascenia on either side. The originally circular orchestra was truncated by the construction of an elongated cistern from which rainwater was channelled through an older duct into the River Peneus.The traveller Pausanias, who visited Elis in the latter half of the 2nd c. AD, found the theatre abandoned. A century later the whole area was turned into a cemetery. This destruction, also visible in other parts of the ancient city, is connected to the invasion of the Heruli (267 AD).
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.