The monastery of Panagia Skopiotissa is located near the top of Mount Skopos in south-eastern Zakynthos. The monastery was constructed in 1624 within the ruins of an older monastery. The whole complex also acted as a watchtower for Zakynthos Town and a larger part of the island. The older monastery is thought to have been built on the site of an ancient temple to the Greek goddess, Artemis. The course is surrounded by the characteristic mediterranian vegetation and Maquis of the Ionian Islands. The katholikon (main church of the monastery) of the monastery of Panagia Skopiotissa is built according according to a Greek cross-plan with some small variations and a somewhat oval-shaped dome with eight sides. Interestingly, the general architectural style of the katholikon more closely resembles post-Byzantine designs similar to churches built in the Cyclades rather than the design preferred locally like the typical single-aisled basilica plan exemplified by Agios Nikolaos to Molou in Zakynthos Town. However, the oval-shaped dome references more Western traditions.
The interior of the katholikon of the monastery still features frescos dating to the late 17th century, icons (including the icon of Panagia Skopiotissa) and a marble iconostatis carved in the typical Baroque-inspired style of the island. A double-headed eagle (a symbol of adherence to Orthodoxy and the Byzantine empire) is located on the katholikon floor.
The view from the monastery of Panagia Skopiotissa is exceptional. The panoramic view is even better by climbing the rocky hill on the east side of the monastery complex. From here visitors can can see Zakynthos Town, the bay of Laganas, the Vasiliko peninsula, the Peloponnese and Kefalonia. Practically, the whole island can be seen from this vantage point which is the reason it was also used as a watchtower.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.