The Mycenaean cemetery of Voudeni includes 78 carved tombs and the ruins of a prehistoric settlement, possibly identified with that of ancient Mesatis. Many of the findings such as vases, clay statuettes, bronze artifacts, tools, weapons and jewellery have been transported and exhibited at the nearby Archaeological Museum of Patras.
The prehistoric settlement of Voudeni, lasting approximately five hundred years (1500–1050 BC), was one of the most prominent regional sites of the periphery of the Mycenaean world. Due to the natural fortification and hiding provided by the Bortzi hill at the foot of Mt. Panachaiko, the settlement was the center of a wider set of smaller settlements developed in the surrounding lowland areas. Geographical position played an important role in the establishment and development of the settlement, as it provided observation of the sea as well as an easy escape route to the mountains in case of an emergency or danger. A natural harbor located at the present day marsh of Agyia, provided access to the sea, allowing control of the entire gulf of Patras. Also, the rich and fertile stretches of land could provide sufficient agricultural and livestock products for the self-sufficiency of the community. The existence of a soft soil allowed the creation of a cemetery southeast of the settlement on the hillside (Amygdalia position), to the west of the present day settlement of Voudeni.
West of the present day settlement of Voudeni and southeast of the prehistoric settlement, at Amygdalia position, excavations firstly led by archaeologists Nikolaos Kyparissis and later on by Lazaros Kolonas, revealed a Mycenaean cemetery. On a total area of 18 acres, 78 chamber tombs of various shapes and sizes were discovered, with a recent research suggesting a dozen more possible tombs. Most of the explored graves were carved in circular, square, horseshoe or quadrilateral form with a dome, of varying dimensions often housing multiple burials. Some of the largest tombs are number 4 and 75, which are presumed to belong to officials or community lords due to their large size. All of the tombs revealed objects of everyday life, such as vases, jewellery, tools, weapons and utensils, that prove the prosperity and commercial relations of the locals.[4] Most of the objects were transferred to warehouses and the most important finds are exhibited at the nearby newly found archaeological museum of Patras.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.