Mega Spilaio is a Greek Orthodox monastery in the municipality of Kalavryta, in the Peloponnese peninsula in southern Greece.
The monastery is located in a large cave in a sheer cliff, where the western slopes of Mount Chelmos drop down to the gorge of the Vouraikos river. The cave was known in antiquity, and the geographer Pausanias reports that the daughters of Proetus found refuge there during their madness. In the first Christian centuries, Christian hermits occupied the cave.
According to tradition, the monastery is one of the oldest in Greece, reputedly founded in 362 by the Thessalonian brothers Symeon and Theodore, who with the help of Euphrosyne (a local shepherdess, honoured as saint for her part in these events) discovered in the cave the icon of the Theotokos painted by Luke the Evangelist.
Its medieval history under Byzantine and Latin rule is obscure. The monastery gained prominence only from about 1354, when it served as the residence of the Orthodox Metropolitan of Patras, since the city was still occupied by the Latins and the seat of a Latin archbishopric. The complex suffered large-scale destructions in 849, 1400, and 1640, when it was comprehensively rebuilt.
Several of the monks became members of the Filiki Etaireia and took part in the Greek War of Independence. In 1934, the katholikon was destroyed in a fire, and replaced by a new church in 1937. On 8 December 1943, the German 117th Jäger Division destroyed the monastery and executed 22 monks and visitors as part of reprisals that culminated a few days later with the Massacre of Kalavryta.
The monastery was rebuilt from the ground after the war, and now comprises an eight-storey complex set in the 120 metres high cliff face.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.