Ernstbrunn castle became the seat of the Ernstbrunn branch of the Counts of Sinzendorf in 1592. After the last Sinzendorf died in 1822, it was inherited by the Köstritz branch of the ruling princely House of Reuss of whom it remains their main family seat until today.
The castle is an elongated structure with four ascending courtyards on the northern slope of the Semmelberg above Dörfles. The medieval core castle on the northern rocky spur was continuously expanded during the Late Renaissance, Baroque, and Classicism periods with new groups of buildings. The core castle, dating from the 12th and 13th centuries and surrounding the innermost courtyard, sits on a free-standing limestone rock on three sides, which drops steeply towards the village of Dörfles. It forms an elongated octagon. The wall thickness of the outer wall is up to three meters. It is further reinforced on the southeast by the square keep. Originally, this keep had only three floors but was extended by an additional floor in the 16th/17th century.
In front of the gate is an early Baroque fountain. This fountain has a total of 16 coat of arms representations, 4 at the top of the shaft below the fountain bowl and 12 in pairs around the edge of the hexagonal basin.
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.