Wedderburn Castle, near Duns, Berwickshire, in the Scottish Borders, is an 18th-century country house that is now used as a wedding and events venue. The house is a Category A listed building and the grounds are included in the Inventory of Gardens and Designed Landscapes in Scotland.
Wedderburn Castle is the historic family seat of the Home of Wedderburn family, cadets of the Home family (today Earls of Home). It was designed and constructed 1771–1775 by the famous architect brothers Robert Adam and James Adam, with the work superintendent being architect James Nisbet of Kelso, for Patrick Home of Billie, who had already completed Paxton House (using James Adam and Nisbet from 1758, with Robert Adam doing the interiors c. 1773). With battlemented three-storey elevations in the typical Adam Castle style, the apparent symmetry of Wedderburn Castle conceals a rectangular courtyard, originally filled by the 17th-century (or earlier) tower house, also known as Wedderburn Castle, of which only a heraldic panel remains. It was demolished in the early 19th century, leaving the courtyard accessed through an archway at the back.
The castle is approached by way of the north or Lion Gate of 1794 designed by John Plaw and the long drive (leading from the West gate), which passes the 18th-century stables (a square court entered through a pedimented archway) and the stables cottages, before continuing to the castle. The former stables building is now used as a barn wedding and events venue.
Entering the front of the castle through a large porch (above which is the Home of Wedderburn coat of arms), there is a double staircase with an iron balustrade leading up to a balcony, behind which is a long gallery connecting the drawing room and the dining room. Across the hall and above the front door is a long minstrel gallery, again connecting the drawing room and the dining room. On the right of the staircase are the drawing room, and the morning room (previously the smoking room), beyond which is the ballroom. There are several fine chimneypieces, the best being in the drawing room of white Carrara marble and various other materials[4] by Piranesi from 1774. To the left are the dining room, and a further staircase leading up to the bedrooms. The ground floor has a large kitchen and further bedrooms.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.