Drumlanrig Castle is situated on the Queensberry Estate in Dumfries and Galloway, Scotland. The 'Pink Palace' of Drumlanrig, constructed between 1679 and 1689 from distinctive pink sandstone, is an example of late 17th-century Renaissance architecture. The first Duke of Queensberry, William Douglas, had the castle built on the site of an ancient Douglas stronghold overlooking the Nith Valley. The castle has 120 rooms, 17 turrets and four towers.
The castle features attractions for both tourists and local residents, situated in the former stable yard, and in an off-section of the rear gardens. These include the Stableyard Studios with a range of local businesses, a tearoom and an adventure playground.
Drumlanrig’s rich history is complemented by being home to some of the jewels of the Buccleuch Collection. Created over many generations and five centuries by the Montagu, Douglas and Scott forbears of the Dukes of Buccleuch and Queensberry, it is internationally recognised as one of the most important in the country.
Pride of place goes to Rembrandt’s An Old Woman Reading, but with family portraits by artists such as Thomas Gainsborough, Alan Ramsay and Sir Joshua Reynolds, landscapes by Paul Sandby and the Dutch masters, and cartoons by Rowlandson, it has the capacity to appeal to all tastes.
The Walls of Constantinople are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul) since its founding as the new capital of the Roman Empire by Constantine the Great. With numerous additions and modifications during their history, they were the last great fortification system of antiquity, and one of the most complex and elaborate systems ever built. They were also the largest and strongest fortification in both the ancient and medieval world.
Initially built by Constantine the Great, the walls surrounded the new city on all sides, protecting it against attack from both sea and land. As the city grew, the famous double line of the Theodosian Walls was built in the 5th century. Although the other sections of the walls were less elaborate, they were, when well-manned, almost impregnable for any medieval besieger.