Drumlanrig Castle is situated on the Queensberry Estate in Dumfries and Galloway, Scotland. The 'Pink Palace' of Drumlanrig, constructed between 1679 and 1689 from distinctive pink sandstone, is an example of late 17th-century Renaissance architecture. The first Duke of Queensberry, William Douglas, had the castle built on the site of an ancient Douglas stronghold overlooking the Nith Valley. The castle has 120 rooms, 17 turrets and four towers.
The castle features attractions for both tourists and local residents, situated in the former stable yard, and in an off-section of the rear gardens. These include the Stableyard Studios with a range of local businesses, a tearoom and an adventure playground.
Drumlanrig’s rich history is complemented by being home to some of the jewels of the Buccleuch Collection. Created over many generations and five centuries by the Montagu, Douglas and Scott forbears of the Dukes of Buccleuch and Queensberry, it is internationally recognised as one of the most important in the country.
Pride of place goes to Rembrandt’s An Old Woman Reading, but with family portraits by artists such as Thomas Gainsborough, Alan Ramsay and Sir Joshua Reynolds, landscapes by Paul Sandby and the Dutch masters, and cartoons by Rowlandson, it has the capacity to appeal to all tastes.
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.