Epinal American Cemetery and Memorial is a United States military cemetery in Dinozé. The 19.7 ha site rests on a plateau above the Moselle River in the foothills of the Vosges Mountains. It contains the graves of 5,255 of the United States' military dead, most of whom lost their lives in the campaigns across northeastern France to the Rhine and beyond into Germany during World War II.
The cemetery was established in October 1944 by the 46th Quartermaster Company (Graves Registration Service) of the U.S. Seventh Army as it drove northward from southern France through the Rhône Valley into Germany. The cemetery became the repository for the fatalities in the bitter fighting through the Heasbourg Gap during the winter of 1944–45.
The memorial, a rectangular structure with two large bas-relief panels, consists of a chapel, portico, and map room with a mosaic operations map constructed under the direction of the American artist Eugene Savage. On the walls of the Court of Honor, which surround the memorial, are inscribed the names of 424 of the missing. Rosettes mark the names of those since recovered and identified. Stretching northward is a wide, tree-lined mall that separates the two large burial plots. At the northern end of the mall, the circular flagpole plaza forms an overlook affording a view of a wide sweep of the Moselle Valley.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.