Since its origin, in the 12th century, Château de Bourlémont has been transformed and enlarged over the centuries. At the beginning a modest quadrilateral, it was first enlarged in the 13th century with the construction of its imposing round towers. Its two-storey dwelling overlooking the courtyard, its south wing and its chapel were built at the end of the 14th and at the begining of the 15th centuries. In the 19th and 20th centuries, the works turned it into a private residence and a park and gardens were added to transform it into the current estate: the entierty of this natural setting was the work of two great landscape architects, Paul de Lavenne de Choulot and Achille Duchêne.
Throughout its 900 years of history, the castle has belonged to only three families : the Bourlemont, owners from the 12th century until the end of the 14th century, the Anglure until the 18th century (1732) and the d'Alsace family, who bought the estate in 1770, after it was abondoned for almost 40 years.
The chapel the chateau is dedicated to Saint Vincent. Built in the 15th century and then rebuilt in the 16th century, it has a rich religious heritage, including an altar dating from the Middle Ages, a remarkable sepulchre from the 16th century and a statuary that shows the 16th century Lorraine religious art. In this chapel are kept the funerary monuments of the Anglure and d'Alsace families, whose descendants have been buried there since 1770.
The outdoor landscaped park was built in the nineteenth century and houses a greenhouse. It is available during Heritage Days. The interiors of the castle, still privately owned, however, are not open.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.