Langres Cathedral

Langres, France

Langres Cathedral was erected in the 12th century, and is dedicated to the 3rd-century martyr Mammes of Caesarea. The cathedral is the seat of the Bishop of Langres, and is a national monument. The nave and interior are in the Romanesque and French Gothic style while the later facade is an example of French Neoclassical architecture.

Exterior

The classical west front or facade was constructed between 1754 and 1768, when it appeared that the Romanesque towers were in danger of collapse. The columns on the facade have capitals of different styles at each level, rising from the Doric order the to Ionic order to the Corinthian order, a typical feature of the classical style. The tile roof of the cathedral is from a different tradition, that of the architecture of Burgundy. The flying buttresses that support the walls of the nave are largely hidden by walls of the adjoining cloister and chapel, but those of the hemispherical chevet at the east end are dramatically visible.

Interior

The interior is very spacious; 94 meters long, 43 meters long wide, with a height of 23 meters in the nave. It has three levels; very high galleries supported by massive pillars; a narrow gallery, or triforium, without windows; and the high windows of the upper level, reaching upward to the vaults. Corinthian columns rise from the pillars and pass between the windows to support the vaults. Bands of sculpture in vegetal motifs decorate the triforium.

At the east end, the round point of the choir is surrounded by eight Corinthian columns, forming broken arches and decorated with molding, The apse contains five small chapels; Around the apse are five chapels; only the center, or axis chapel, dates to the earliest Romanesque cathedral; the others were constructed in the 14th century.

The Chapel of the Holy Cross

The Chapel of the Holy Cross was constructed on the north side of the cathedral between 1547 and 1549, funded by a donation from a chanoine of the cathedral, Jean de Amoncourt. It is considered a particularly accomplished example of French Renaissance architecture. The most distinctive feature is the barrel-vaulted ceiling, decorated with caissons, or sculpted panels, alternating in form from rectangular to oval, each decorated with elaborate designs. The vaults of the chapel are supported by ionic and corninthian columns, while the retable is crowned by composite elements of the different orders. The floor is decorated with faience tiles, made 1551, and restored in the 19th century.

Art and decoration

A considerable portion of the decorative woodwork, as well as the church organ, was acquired at the beginning of the 19th century, following the destruction of Morimond Abbey during the French Revolution. Another exceptional element of decoration is the 16th century faience tile floor of the Chapel of Amoncourt, which designated an historic landmark.

References:

Comments

Your name



Details

Founded: 12th century
Category: Religious sites in France
Historical period: Birth of Capetian dynasty (France)

More Information

en.wikipedia.org

Rating

4.6/5 (based on Google user reviews)

User Reviews

Corentin Life Style (5 months ago)
An architectural gem! A cathedral printer, it's definitely worth the detour to take a look inside! A real joy to enter and walk around on a summer day, inside we can feel the freshness of the imposing stone blocks! The stained glass windows are also very beautiful! I recommend going there
z S (Suz) (6 months ago)
Nice
Gerry Devine (9 months ago)
A baptismal service was taking place in this amazing cathedral. There was a beautiful performance of Gounod's Ave Maria by a wonderful female singer. A truly moving experience.
Margarita Lokhova (2 years ago)
So big, so beautiful!
Joris Heirbaut (4 years ago)
Beautiful cathedral with some magnificent tapestries.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Church of St Donatus

The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.

The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.

The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.