Entrevaux Cathedral is a Roman Catholic church and former cathedral. It was the seat of the bishops of Glandèves, who moved their principal residence to Entrevaux in the early 17th century. The edifice served as a cathedral from 1624 to 1790, known at the time from the name of the diocese as the Glandèves Cathedral. It is now a parish church.
In 1604 the bishop Octave Isnard decided to build a new cathedral at Entrevaux. Construction work lasted from 1609 to 1630; decoration was completed in the 1650s, and the bell tower in the 1660s. It was probably consecrated in 1627.
Because of the restricted site and the necessities of defending the town, the new cathedral was oriented to the north-east. It is 40 metres long, 10 metres wide and the height to the top of the vault is 14 metres. There is a single nave of three bays, with no side chapels. There are three windows in the south wall, while the north wall is blind. The cathedral was integrated into the town's fortifications in 1692, when the bell tower was crenellated for use as a defensive tower.
The furnishings and works of art, including an 'Assumption' of c. 1630 and a 'Gift of the Rosary' of 1631 forming part of the altar, both by François Mimault, and a portrait of the bishop Jean-Baptiste de Belloy, are mostly of the 17th and early 18th centuries. The organs are dated 1717.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.