Perched on a hillside overlooking the Aveyron River, the Château de Féneyrols stands as a testament to medieval architecture and the region's layered history. Its strategic location on the riverbank once protected an important crossing, blending natural defenses with its formidable structure.
The origins of the château date back to the late 13th or early 14th century, though the surrounding area was first mentioned in records from 1259. The fortress itself was formally documented in 1323 within a charter of rights granted to the villagers. Ownership of the château became notable in 1338, following the death of Raymond de Castelnau, when it was divided between his daughters, Hélène and Hélix, who shared jurisdiction over Féneyrols. During the turbulent years of the Hundred Years' War, the château briefly fell into English hands but was retaken in 1363.
By the 17th century, the structure had evolved into a substantial fort, as evidenced by records detailing 57 rooms distributed across three floors, with spaces ranging in size from modest chambers to larger living quarters. Despite this impressive scale, by 1763, when Antoine de Rous, a prominent treasurer from Montauban, acquired the property, he described the château as 'old and dilapidated.'
Architecturally, the château retains its medieval fortified character, particularly in the northwest facade, which features timber-framed machicolations resting on tuff stone supports. Over the centuries, the complex expanded to include several additional structures and features, such as an old mill, a raised terrace, remnants of moats, a park, a former orangery, a kitchen garden, a kennel, and agricultural buildings surrounding the central courtyard. A dovecote, a hallmark of noble estates in the region, also remains.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.