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In the 11th century a fortress belonging to Hugues de Champchevrier stood in place of the current Château de Champchevrier. It passed by marriage to different families: the Laval, the Bastarnay, and then the Daillon in 1550. On the ruins of the fortress, the Daillons rebuilt a Renaissance castle, whose mullion windows you can still see.
Henri de Daillon had no son so his nephew, Antoine, Duke de Roquelaure, a Marshal of France, inherited the castle in 1686. He built courtyards, gardens and moats all around the castle. Antoine de Roquelaure had no son either and as his wife preferred the court of Versailles to Champchevrier, he sold the castle in 1728 to Jean-Baptiste Pierre Henri de la Rüe du Can. The new owner was made Baron of Champchevrier by Louis XV in 1741 by letters patent which made the Champchevrier estate into a barony. The present owners are his direct descendants and so the same family has owned the castle for nearly three centuries.
The first baron built the terrace on the East side (first half of the 18th century). He was very committed to improving the estate and created the fine views from all sides of the castle towards the surrounding forest.
Today Château de Champchevrier is open to the public and hosts events.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.