Château de Menars is a historic castle on the Loire River in Menars, famously linked to Madame de Pompadour.
Built around 1646 by Guillaume Charron, the castle initially featured a main building with two pavilions. Expanded by his son Jean-Jacques Charron in 1669, it became a marquisate under Louis XIV in 1676. In 1725, Louis XV gifted the estate to Queen Marie Leszczyńska’s parents, who lived there until 1736.
Madame de Pompadour acquired the castle in 1760, commissioning Ange-Jacques Gabriel to add two new wings and several pavilions, including the Pavilion of the Clock and Pavilion of the Meridian. Interior alterations included new woodwork and subterranean connections. After Pompadour’s death in 1764, her brother, the Marquis de Marigny, continued renovations, adding French-style roofs and expanding the side court.
In 1830, Joseph, Prince de Caraman-Chimay, established a school on the estate, constructing additional buildings and a gas works.
Despite successive additions, the château retains a 17th-century simplicity. Notable features include the main building’s large gallery, ornate woodwork, and a stone staircase. The library’s mahogany dado and other elements reflect Marigny’s contributions.
Originally designed with formal parterres, canals, and avenues, the gardens were reimagined by Marigny, who added an English garden, a grotto, and various follies. He also created a terrace for displaying sculptures and enhanced the grounds with trellises, hedges, and a kitchen garden. Key features include the Rotunda of Abundance, a nymphaeum by Soufflot, and a Chinese-style kiosk by Charles De Wailly.
The Château de Menars is a harmonious blend of 17th- and 18th-century architectural and landscaping styles, reflecting its rich history.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.