Château de Menars is a historic castle on the Loire River in Menars, famously linked to Madame de Pompadour.
Built around 1646 by Guillaume Charron, the castle initially featured a main building with two pavilions. Expanded by his son Jean-Jacques Charron in 1669, it became a marquisate under Louis XIV in 1676. In 1725, Louis XV gifted the estate to Queen Marie Leszczyńska’s parents, who lived there until 1736.
Madame de Pompadour acquired the castle in 1760, commissioning Ange-Jacques Gabriel to add two new wings and several pavilions, including the Pavilion of the Clock and Pavilion of the Meridian. Interior alterations included new woodwork and subterranean connections. After Pompadour’s death in 1764, her brother, the Marquis de Marigny, continued renovations, adding French-style roofs and expanding the side court.
In 1830, Joseph, Prince de Caraman-Chimay, established a school on the estate, constructing additional buildings and a gas works.
Despite successive additions, the château retains a 17th-century simplicity. Notable features include the main building’s large gallery, ornate woodwork, and a stone staircase. The library’s mahogany dado and other elements reflect Marigny’s contributions.
Originally designed with formal parterres, canals, and avenues, the gardens were reimagined by Marigny, who added an English garden, a grotto, and various follies. He also created a terrace for displaying sculptures and enhanced the grounds with trellises, hedges, and a kitchen garden. Key features include the Rotunda of Abundance, a nymphaeum by Soufflot, and a Chinese-style kiosk by Charles De Wailly.
The Château de Menars is a harmonious blend of 17th- and 18th-century architectural and landscaping styles, reflecting its rich history.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.