Château de Talcy is a historic palace in Talcy, north of the Loire River. Originating as a 13th-century fortification, it was expanded in the 16th and 17th centuries and modernized in the 18th. Listed as a Historical Monument in 1906, it has been state-owned since 1933 and is open to visitors.
First mentioned in 1221, Talcy was owned by the Simon family before being sold in 1517 to Florentine banker Bernard Salviati, who fortified it. His daughter Cassandre inspired poet Pierre de Ronsard, while his granddaughter Diane was the muse of Agrippa d'Aubigné.
The château hosted Catherine de' Medici and Charles IX in 1572, where they allegedly planned the St. Bartholomew's Day Massacre. It changed hands several times before the Burgeat family modernized it in the 18th century. The Gastebois, Vincens, and Stapfer families, known for their egalitarian beliefs, preserved it during the French Revolution. In 1933, Valentine Stapfer sold it to the state.
The château retains a medieval feel, with a fortified central tower (1480) and Renaissance wings (1520s). A fire in 1723 destroyed the west wing, and the interiors were remodeled in the 1780s. Features include a 19th-century well, dovecote, and a Protestant chapel.
Now a museum, the château welcomes 20,000 visitors annually.
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.