The Arch of Trajan is an ancient Roman triumphal arch in Benevento. It was erected in honour of the Emperor Trajan across the Via Appia, at the point where it enters the city. The arch was built between 114 and 117.
In Lombard times, it was incorporated into the southern sector of the city walls and became known as Porta Aurea ('Golden Gate'). The church of Sant'Ilario, now housing the Videomuseum of the Arch, was built nearby. The arch was studied by Sebastiano Serlio in Renaissance times and drawn by Giovanni Battista Piranesi in the 18th century.
It was restored several times due to aging and earthquakes: under Pope Urban VIII, then in 1661, 1713 (after the marble architrave crumbled) and 1792. In 1850, on the occasion of Pope Pius IX's visit to Benevento, it was isolated through demolition of the adjoining buildings.
The arch has a single, barrel-vaulted archway, and is 15.60 m high and 8.60 m wide. Each façade has four pilasters at the corners of the two side pillars, supporting an entablature. Above the architraves is an attic which, like them, juts out in its central section above the archway. The arch is built in limestone covered by opus quadratum of Parian marble slabs. It has richly sculpted decorations on the two main façades. The attic features a dedicatory inscription and, at the sides, two bas-relief panels: on the outer sides the left-hand one, only partially preserved, depicted the Homage of the divinities of the province's countryside, and the one on the right the Founding of provincial colonies. On the inner side, on the left, was a depiction of Trajan welcomed by the Capitoline Triad and, on the right, Trajan in the Forum Boarium.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.