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The New Mosque (Yeni Cami), originally named Valide Sultan Mosque, is an Ottoman imperial mosque in Istanbul’s Eminönü district. Built between 1597 and 1665, its construction was initiated by Safiye Sultan and later completed by Turhan Sultan. It stands at the southern end of the Galata Bridge, marking the transition from Istanbul’s historic core to Beyoğlu.
The mosque's construction faced delays due to political opposition and financial concerns. It was abandoned in 1603 and later damaged in the 1660 Great Fire. Turhan Sultan resumed the project, also commissioning the nearby Spice Bazaar. Completed in 1665, it was renamed the New Valide Sultan Mosque, later shortened to Yeni Cami.
Architecturally, the mosque features a 36-meter-high dome supported by four semi-domes, inspired by earlier designs of Mimar Sinan. The courtyard, flanked by colonnades, includes an ornamental ablution fountain. Inside, İznik tiles adorn the walls, and the dome rests on four massive piers. A royal lodge with a gilded screen connects to an imperial pavilion.
The mosque complex (külliye) once included a hospital, school, and palace. The Spice Bazaar, originally part of this complex, remains a major landmark. The adjacent mausoleum houses the tombs of Turhan Sultan, Mehmed IV, and five later sultans. The mosque undergoes ongoing restorations by the Turkish General Directorate of Foundations.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.