The village church of Jördenstorf is a late medieval church located in Jördenstorf, in the district of Rostock, Mecklenburg-Vorpommern.
The oldest part of the church is the rectangular, east-facing chancel, likely built from fieldstone in the mid-13th century. To the west, a slightly wider and taller rectangular nave made of brick was added shortly afterward. The western end of the church is marked by a brick tower, probably constructed in the 15th century, topped with a recessed, later timber-framed addition and a tent roof. The chancel is covered by an eight-ribbed vault, while the nave has a flat wooden ceiling. The east gables of both the chancel and the nave are decorated with blind arcading.
The church contains rich furnishings, mostly from the 18th century. The organ case on the western gallery—built in the first half of the 18th century—was created in 1777 by Paul Schmidt of Rostock. However, the organ itself, built in 1878 by Friedrich Friese III, features 15 stops on two manuals and pedal, and was restored in 1978.
The pulpit with its ornate sound canopy on the right side of the chancel arch dates from 1734, while the confessional booth is from 1715. The altarpiece was crafted in 1793, topped by a crucifixion group from the 15th century. The main altarpiece painting is a later copy from 1875 after Guido Reni. On the church’s south wall is an ornate epitaph for J. von Blücher from the 17th century. Various pews in the church, as well as some historical gravestones inside and around the church, also date from the 17th and 18th centuries.
The church bell was cast in 1749 by Otto Gerhard Meyer in Rostock. The church treasury includes several gilded chalices from the 18th century, along with some historical candlesticks.
Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.