Located in Saint-Martin-l'Ars (Vienne, France), the Abbaye de La Réau was founded in the 12th century by Augustinian canons. Though its exact origins are unclear, it likely had royal backing — possibly from Louis VII of France or Henry II of England. By 1219, the abbey oversaw 16 priories.
It held major regional influence into the French Revolution and was considered one of the most prestigious monasteries in Haut-Poitou. Protected by papal decree in 1219, it prospered despite suffering damage during the Hundred Years’ War, including being burned by the English in 1372 and seized by bandits in 1531.
Though briefly influenced by Calvinism in the 16th century, the abbey returned to Catholicism and underwent restoration in the 17th century. It declined by the time of the French Revolution and was sold as national property. Later, it became part of the de Fremond de La Merveillère family estate.
Architecture Set beside the Clain River and surrounded by moats, the abbey features a cross-shaped church, 15th-century turrets with machicolations, and Romanesque elements like the vaulted chapter house. The bell tower collapsed in the 20th century.
Classified as a historic monument in 1941 (with more areas added in 1994), La Réau is notable for its medieval remains, 17th-century stone staircase, and sculpted details.
Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.