To the north of Kauppatori Square stands the Presidential Palace, one of C. L. Engel’s grand neo-classical buildings. Originally at the beginning of 19th century, a salt storehouse stood on the site. The entire lot was bought by merchant Johan Henrik Heidenstrauch who built the first palace in 1820. He had to sell it to the senate of Finland in 1837 and the building was moved to the official residence of the Tsar or Russia (Imperial Palace of Finland).
The necessary rebuilding and furnishing work, carried out between 1843 and 1845, was directed by architect Carl Ludvig Engel, the creator of neoclassical Helsinki. The Imperial family of Russia visited in palace several times between 1854-1915.
During the World War I palace functioned as military hospital for Russian Army. In the Finnish Civil War (1918) it was first the headquarters of the Executive Committee of the Helsinki Workers and Soldiers Soviet. With the victory of the Whites, the Reds abandoned the Palace, which was temporarily used by German and White Finnish military staff. After the war it was quickly converted to the presidential palace of independent Finland. Complete repairs were made at speed, with the furnishings and art collections of the Palace being returned from storage in the National Museum and the Ateneum Art Museum, and also being supplemented. Since then, it has been the official residence of the President. The Palace was again refurbished and modernised by Martti Välikangas in 1938.
The Presidential Palace is open for tours, which can be arranged through Helsinki Expert.
Reference: Wikipedia
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.