The Upland Gate was built along with the surrounding fortifications between 1571-1576. Formerly, it was the main entrance to the town. The western embankment (built up in 1573) was equipped with a basic looking brick gate building, initially devoid of any kind of decoration. It should be emphasised that this was the first gate in Gdánsk built according to the latest fortification techniques at that time. Credit for the design and overseeing of such a major defense project should be given to Hans Kramer from Dresden.
The gate, surrounded by imposing embankments was indeed difficult to break through. Opposite the main access route stood a bridge spanning a rather deep moat designed for transportation. Two other entrances were equipped with footbridges for pedestrians. A portcullis was raised at certain times in the evening.
In 1588, a brick facade was imaginatively put in by the famous sculptor Wilhelm Van Den Blocke. He created a mural composed of sculpted leaves. The imposing crest sculpture also draws the attention of tourists, on top of the main entrance is the emblem of the Republic on an oval shield held up by two angels.
In front of the Upland Gate were held ceremonies to greet Polish monarchs who visited the town. It should be noted that the first Polish leader who passed through the gate in its present form was Zygmunt III Waza.
During the second world war 1939-45, the gate suffered only minor damages and that is why today we can see this building in all its glory.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.