Djursholm castle includes building components from the late Middle Ages. It was the main building of the Djursholm estate, which was owned by the House of Banér from 1508-1813. Nils Eskilsson (Banér), who was lord of Djursholm 1508 to 1520, built a new palace at the place where Djursholm Castle remains.
Djursholm Castle was the residence of both Privy Councillour Gustaf Banér and his son, Field Marshal Johan Banér. Svante Gustavsson Banér gave the castle its present appearance in the 17th century. By the mid 17th century the castle was its present size. The main hall was fitted at this time, with plaster ceilings, stairs castle was of limestone and oak, and walls hung with art wallpaper full of gilt leather and other materials.
In 1891, Djursholms secondary school (Djursholms samskola) was started in the building. Until 1910, Djursholms secondary school operated on the premises. The first inspector of Djursholms samskolas was author Viktor Rydberg. Among the earliest teachers were Erik Axel Karlfeldt and Alice Tegner. Writer Elsa Beskow was an art teacher and her husband, theologian Natanael Beskow served as the headmaster of the school from 1897 to 1909.
In the 1890s, the castle was restored in Baroque style. Facade design was simplified by a new restoration from 1959 to 1961. A new entrance with modern suitability to the castle was built on the north side in 2003. Today it serves as the community center (kommunhus) in Danderyd Municipality.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.