Grūtas Park (Grūto parkas) is a sculpture garden of Soviet-era statues and an exposition of other Soviet ideological relics from the times of the Lithuanian SSR. After Lithuania regained its independence in 1990, various Soviet statues were taken down and dumped in different places. Viliumas Malinauskas requested the Lithuanian authorities to grant him the possession of the sculptures, so that he could build a privately financed museum. This Soviet-theme park was created in the wetlands of the Dzūkija National Park. Many of its features are re-creations of Soviet Gulag prison camps: wooden paths, guard towers, and barbed-wire fences.
The exposition, consisting of 86 statues by 46 different sculptors, is organized into spheres. Each of the statues features a Soviet or socialist activist, many of them ethnic Lithuanians. The Totalitarian Sphere features sculptures of the main Communist leaders and thinkers, including Vladimir Lenin, Joseph Stalin, and Karl Marx. The Terror Sphere is dedicated to sculptures of founders of the Communist Party of Lithuania (Zigmas Aleksa-Angarietis, Vincas Mickevičius-Kapsukas) and officers of the Red Army (Feliksas Baltušis-Žemaitis, Ieronim Uborevich). It also has a sculpture of Felix Dzerzhinsky, the organizer of the Red Terror.
The Soviet Sphere includes sculptures of the four leaders of Lithuanian Communists, executed in the aftermath of the 1926 Lithuanian coup d'état, and activists of the Lithuanian–Soviet War of 1918–1919. The Red Sphere is dedicated to Soviet partisans, including Marytė Melnikaitė. The Occupation and Death Spheres showcase the brutal side the Soviet regime: mass deportations, suppression of the Lithuanian partisans, etc.w
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.