Skärfva Manor was built in 1785 - 1786 as a summer residence by the admiral of the yard Fredrik Henrik af Chapman in cooperation with admiral Carl August Ehrensvärd. The building was originally a timbered house painted red with a turf roof. In the 1860's the present panelling was mounted and the roofs were tiled. The building's odd mixture of styles has amazed visitors through all times. Here we find everything from Gothic style to the traditional open-ridged cottage and Greek temple. The house is to a large extent a play with the thoughts and tastes of those times, not least influences from the Italian trip made by Ehrensvärd. The purpose of Skärfva Manor was to serve as af Chapman's experimental workshop and hermitage during the summer.
Around the manor house a park was laid out - originally an English park. Helping with the plan was af Chapman's childhood friend and later royal architect in London, William Chambers. Today the park houses a Gothic tower, contemporary with the manor house, a temple (garden pavilion) and at the waterside to the east af Chapman's planned sepulchre. In the old days the park also housed a test basin for hydrodynamic experiments, in which boat-models were tested and a hermit's cave.
The harbour south of the park was constructed at the same time as the manor house. In the old days the most common fairway between Skärfva and Karlskrona was by sea.
The bathing-house by the waterside to the south of the grave was built in the 1870's. Originally the bathing-house was provided with a plank-enclosed bathing-corf on the outside where you could take your bath in private.
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.