The Millennium of Russia is a famous bronze monument in the Novgorod Kremlin. It was erected in 1862 to celebrate the millennium of Rurik's arrival to Novgorod, an event traditionally taken as a starting point of Russian history.
A competition to design the monument was held in 1859. An architect Viktor Hartmann and an artist Mikhail Mikeshin were declared the winners. Mikeshin's design called for a grandiose, 15-metre-high bell crowned by a cross symbolizing the tsar's power. The bell was to be encircled with several tiers of sculptures representing Russian monarchs, clerics, generals, and artists active during various periods of Russian history.
Mikeshin himself was no sculptor, therefore the 129 individual statues for the monument were made by the leading Russian sculptors of the day, including his friend Ivan Schroeder and the celebrated Alexander Opekushin. Rather unexpectedly for such an official project, the tsars and commanders were represented side by side with sixteen eminent personalities of Russian culture: Lomonosov, Pushkin, Lermontov, Gogol, Karl Brullov, Mikhail Glinka, etc. As for the Russian rulers, Ivan the Terrible is famously absent from the monument due to his role in the 1570 pillage and massacre of Novgorod by the Oprichnina. Alongside with the Muscovite princes, the medieval Lithuanian dynasts as Gediminas or Vytautas the Greatwho reigned over the Eastern Slavs of the present-day Belarus and Ukraine are represented.
The most expensive Russian monument up to that time, it was erected at a cost of 400,000 roubles, mostly raised by public subscription. In order to provide an appropriate pedestal for the huge sculpture, sixteen blocks of Sortavala granite were brought to Novgorod, each weighing in excess of 35 tons. The bronze monument itself weighs 100 tons.
During World War II, the Nazis dismantled the monument, and prepared it to be transported to Germany. However, the Red Army regained control of Novgorod and the monument was restored to public view in 1944.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.