In 1694, Christian V built a two-story timber frame house in the Deer Park north of Copenhagen. In 1734, that building was demolished, and in the period 1734-1736, royal architect Lauritz de Thurah built the existing hunting seat on the hilltop in the middle of the plain.
The palace is an distinguished example of de Thurah’s architectural skills and one of the late Baroque’s best works in Denmark. The ground-plan of the palace is symmetrical on all four floors.The kitchen is located centrally in the basement under the dining room. Along the south gable, the beautiful staircase goes through the whole house. The stairwell is covered in tiles with hunting motifs. The tiles were produced at the factory on St. Kongensgade.The bel étage houses the large dining hall, the grandest room with rich decorations in marble, plaster, mirrors and marbled wood. The two southern rooms are in a striking late Baroque style, whilst the three northern rooms, the king’s and queen’s rooms, are in Rococo style. The central room on the top floor is the servants’ sitting room.
In 1736, Johan Jeremias Reusse, a cabinet maker, built a table machine, a mechanical device with table and accessories. This is the famous Hermitage table, which allowed the beautifully laid table to be hoisted through a hatch in the dining room floor so one could dine without servants or, in French, “en hermitage”. A few years later, a new table machine was constructed by order of court architect Nicolai Eigtved. This version had technical problems and needed repairs, and it was entirely removed at the end of the 1700s. The palace has been renovated several times, most recently when the palace underwent a through restoration of its sandstone exterior from 1979 to 1991.The Hermitage Palace has, through the years, been the centre for royal hunts. It is at the disposal of The Queen, who today uses it for official lunches. The palace is closed to the public.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.