The Caritas Well (Caritasbrønden) is the oldest fountain in Copenhagen. It was built in 1608 by Christian IV and is located on Gammeltorv, now part of the Strøget pedestrian zone. It is considered one of the city's finest Renaissance monuments.
The Caritas Well is a result of a relocation and modernization of an older fountain erected by Frederik II. He provided for the construction of a 6km long water tube from Lake Emdrup north of the city to Gammel Torv. The altitude difference being 9 metres, the water pressure was adequate for a fountain to be constructed. Though ornamental in character, the well was also part of the city's water supply system.
The figure group is originally carved in wood by the German wood carver Statius Otto in Elsinore for casts afterwards to be made in bronze. The figures depict the greatest of the three theological virtues love or charity, caritas in latin, symbolized by a pregnant mother with her children. The figures stand on a column in a copper basin. The copper basin is raised above a lower basin on a stone pillar. The woman sprays water from her breasts while her little boy 'pees' into the basin.
On the Queen's birthday, copperballs covered in 24 carat gold, symbolizing golden apples, jump in the fountain. The tradition goes back to the 18th century.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.