A wooden church was built on the site of the current one in Tingstäde during the early 12th century. The church has later been replaced by first a Romanesque church, of which the portals survive, and later once more rebuilt in Gothic style during the 13th and 14th centuries. Few alterations have been made to the church since.
The church was one of three so-called asylum churches on Gotland during the Middle Ages, a place where suspected criminals could find refuge awaiting trial. The name Tingstäde also translates to 'location of a thing', indicating that the place has ancient judicial traditions.
The church has a 55m high tower, adorned with Gothic galleries on several storeys. Inside, remains of picture stones have been used as building material. The nave is vaulted and the ceiling supported by a single, central column with richly sculpted capitals, a work by an anonymous master sculptor sometimes referred to as Master Calcarius during the 13th century. The choir lacks an apse. Externally, the Romanesque portals are also decorated with stone sculptures. Another portal, inside the choir and leading to the vestry, is even older, dating from the 12th century and decorated with the Lamb of God, which is also the heraldic symbol of Gotland. Given the location of the church at an ancient political site, this has led some scholars to speculate whether it was already a symbol for the island during the 1100s.
Tingstäde church has a baptismal font probably made by the little-known Master Majestatis, possibly a remnant of the first, wooden church. The church also has a noteworthytriumphal cross from the 14th century. The altarpiece is considerably later, dating from the 18th century, while the pews are probably from the 17th century.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.