Sebber Priory was established between 1250 and 1268 as a house for Benedictine nuns. The priory was dedicated to St. Lawrence. Its founding details are uncertain; it may have begun as an Augustinian house.
One question about Sebber Priory has always been why it was located on the coast in such an isolated location. It appears that Sebber was already a village in Viking times, a trading place for ships plying the Limfjord between the North Sea and the Baltic. Recent research by the Aalborg History Museum has discovered no fewer than three churches on or around St Jørgens Bjerg: two stave churches and a stone one. Over 300 Viking age graves were found in one of the largest Viking cemeteries found to date on the same ground as the priory was built. It seems that Sebber has been historically a religious place, perhaps even in pre-Christian times. If locals were looking for a sacred spot, what better choice on Sebbersund than where the ancestors both pagan and Christian had worshipped.
The priory was built in Gothic style of red brick, the most common building material of the time. Sebber was built to house approximately 12 Benedictine nuns in a relatively isolated place where they could practice a contemplative life without interference from the outside world.
The Reformation brought an end to Sebber Priory when Christian III and the State Council adopted the Lutheran Ordinances, establishing Lutheranism as the state church in October 1536. The abbey and its estate reverted to the crown and was then given over to Christian Friis, a noble from Aalborg. The abbey buildings became an estate farm owned by noblemanOluf Brockenhus. Eventually the priory buildings were torn down, but the priory church became the local parish church.
What makes Sebber church so interesting is that it is the main building of the medieval priory much as it was in the Middle Ages. It is perhaps the best preserved in all of Jutland. The baptismal font and crucifix date from the days when it was still a priory church.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.