The Château de Gisors was a key fortress of the Dukes of Normandy in the 11th and 12th centuries. It was intended to defend the Anglo-Norman Vexin territory from the pretensions of the King of France. King William II of England ordered Robert of Bellême to build the first castle at Gisors. The first building work is dated to about 1095, and consisted of a motte, which was enclosed in a spacious courtyard or bailey. Henry I of England, Duke of Normandy, added an octagonal stone keep to the motte.
In 1193 the castle fell into the hands of the King of France and thereafter lost temporarily its importance as a frontier castle. A second keep, cylindrical in shape, called the Prisoner's Tower, was added to the outer wall of the castle at the start of the 13th century, following the French conquest of Normandy. Further reinforcement was added during the Hundred Years' War. In the 16th century, earthen ramparts were built. Since 1862, Château de Gisors has been recognised as a monument historique by the French Ministry of Culture.
Château de Gisors is also known for its links with the Templars. Put into their charge by the French king between 1158 and 1160, it became the final prison of the Grand Master of the Order, Jacques de Molay, in 1314.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.