The Basilica of St. Thérèse of Lisieux can accommodate 4,000 people, and, with more than two million visitors a year, is the second largest pilgrimage site in France, after Lourdes. Pope John Paul II visited the Basilica on 2 June 1980. St. Therese of Lisieux was beatified in 1923 and canonised in 1925. It was decided to build a large basilica dedicated to her in the city where she lived and died. Construction started in 1929 and finished in 1954. The basilica contains 18 minor altars offered by different nations to St. Therese. Works stopped for some time due to the Second World War, but then resumed and the basilica was completed in 1954. The basic structure, which was completed before the war, suffered little damage during the bombing, which destroyed two-thirds of Lisieux. On 11 July 1951, the basilica was consecrated by Most Reverend, the Archbishop of Rouen Joseph-Marie Martin, with the Papal Legate, Maurice Cardinal Feltin.
The construction was supervised by three architects from father to son, Cordonnier - Louis Marie, and his son Louis-Stanislas Cordonnier and his grandson Louis Cordonnier. The Roman-Byzantine style of the basilica was inspired by the Sacred Heart Basilica, Paris. The building is in the shape of a Latin cross, with nave, choir and transept. The cross is surmounted by an imposing dome. The internal volume is all in one piece, without collateral or ambulatory aisles. Hence due to the absence of columns, all the faithful who attend mass have an unobstructed view. Most of the interior of the basilica is covered with mosaics.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.