The Brittany American Cemetery is one of fourteen permanent American World War II military cemetery memorials erected by the American Battle Monuments Commission on foreign soil. The site was liberated on 2 August 1944 by the 8th Infantry Division; a temporary military cemetery was established on it three days later. After the war, when the temporary cemeteries were being disestablished by the American Graves Registration Service, the remains of American military Dead whose next of kin had requested interment on foreign soil were moved from the temporary cemeteries to one of the permanent cemetery sites, usually the one closest to the temporary location.
The 4,410 American military Dead buried in the Brittany American Cemetery lost their lives in the area of northwestern France extending from the beachhead westward to Brest and eastward to the Seine and represent 43 percent of the burials originally made in the region. They were interred there by the American Graves Registration Service in the distinctive grave patterns proposed by the cemetery's architect and approved by this Commission. Most of them died in the fighting in and around Saint-Lô.
The design and construction of all cemetery facilities in the permanent World War I and II cemeteries, were the responsibility of the American Battle Monuments Commission (i.e. the memorial, chapel, visitors’ building, superintendent's quarters, service facilities and paths, roads and walls). The Commission was also responsible for the sculpture, landscaping and other improvements. Construction of the permanent cemetery memorial at Brittany was completed in 1956.
The Memorial Chapel consists of an antechamber and tower, museum room and chancel. Typical of the ecclesiastical architecture of the region, it is Romanesque in design. The exterior of the memorial is constructed of local La Pyrie granite. At its east end is a sculpture group. 'Youth Triumphing Over Evil' designed by Lee Lawrie of Easton, Maryland and executed in Chauvigny limestone from the Poitiers region by Jean Juge of Paris.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.