The Brittany American Cemetery is one of fourteen permanent American World War II military cemetery memorials erected by the American Battle Monuments Commission on foreign soil. The site was liberated on 2 August 1944 by the 8th Infantry Division; a temporary military cemetery was established on it three days later. After the war, when the temporary cemeteries were being disestablished by the American Graves Registration Service, the remains of American military Dead whose next of kin had requested interment on foreign soil were moved from the temporary cemeteries to one of the permanent cemetery sites, usually the one closest to the temporary location.
The 4,410 American military Dead buried in the Brittany American Cemetery lost their lives in the area of northwestern France extending from the beachhead westward to Brest and eastward to the Seine and represent 43 percent of the burials originally made in the region. They were interred there by the American Graves Registration Service in the distinctive grave patterns proposed by the cemetery's architect and approved by this Commission. Most of them died in the fighting in and around Saint-Lô.
The design and construction of all cemetery facilities in the permanent World War I and II cemeteries, were the responsibility of the American Battle Monuments Commission (i.e. the memorial, chapel, visitors’ building, superintendent's quarters, service facilities and paths, roads and walls). The Commission was also responsible for the sculpture, landscaping and other improvements. Construction of the permanent cemetery memorial at Brittany was completed in 1956.
The Memorial Chapel consists of an antechamber and tower, museum room and chancel. Typical of the ecclesiastical architecture of the region, it is Romanesque in design. The exterior of the memorial is constructed of local La Pyrie granite. At its east end is a sculpture group. 'Youth Triumphing Over Evil' designed by Lee Lawrie of Easton, Maryland and executed in Chauvigny limestone from the Poitiers region by Jean Juge of Paris.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.