The Saint-Valéry Church in Varengeville-sur-Mer is perched on top of the cliffs of Ailly, hidden among gardens and woods bordering the cliff and overlooks the sea from a height of 84 metres. The lateral aisle in sandstone dates back to 1548 and was perhaps built by Jehan Ango to enlarge the primitive sanctuary. The Choir is bathed in a blue light diffused by the abstract stained glass of Raoul Ubac, disciple of Braque. The wreathed column is decorated with reliefs which were inspired by maritime expeditions. The 3rd column is polygonal (a Henry II pillar top).
The church is surrounded by the marine cemetery, made famous by 2 brothers, Jérôme and Jean Tharaud, who lived in Varengeville and wrote several texts about it in the Chronicles of Figaro in 1948. This was the beginning of the fame of this sanctuary. Some artists compare the texts of the Tharaud brothers to the poem by Paul Valéry, the Marine Cemetery, written in 1920 and singing the charms of the marine cemetery of Sète. Analogies were drawn between the two cemeteries.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.